我有毒

分类:恐怖片动作科幻恐怖 地区:其它 年份:2018 导演:Daniel de la VegaPablo Parés 主演:Esteban ProlHoracio FontovaSergio PodeleiGastón CocchiaraleFini BocchinoVerónica IntileGoyo EscardóDemián SalomónRodrigo Ferreyra 状态:HD中字

简介:Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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我有毒内容简介

《我有毒》 是Daniel de la Vega,Pablo Parés导演的作品,发行于2018年(其它),由Esteban Prol,Horacio Fontova,Sergio Podelei,Gastón Cocchiarale,Fini Bocchino,Verónica Intile,Goyo Escardó,Demián Salomón,Rodrigo Ferreyra等主演的一部恐怖片。
讲述了:Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

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